Welcome to Alfred Hitchcock’s Mystery Magazine! Discover original, spine-tingling stories by top-notch authors and new writers from all corners of the mystery genre, plus news, reviews, and more… to make your blood run cold!
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Coming Next Issue . . .
“Something That’s not Moving” by Catriona McPherson
“A Generous Strike Zone” by Gabriela Stiteler
“Murder on the Job” by Floyd Sullivan
OVER 60 YEARS OF AWARDS
157 Nominations from the full breadth of mystery genres
37 Award-winning stories
Edgar, Agatha, Barry, Arthur Ellis, Robert L. Fish, Macavity, Shamus, Thriller, Anthony
FROM THE EDITOR
Great stories of any genre are rooted in characters — well-drawn, individual, and credibly motivated…
ABOUT AHMM
Alfred Hitchcock’s Mystery Magazine is one of the oldest and most influential magazines of short mystery and crime fiction in the world. Launched over 60 years ago, today AHMM maintains a tradition of featuring both promising aspiring writers and talented authors, spanning the full spectrum of sub-genres from dark noir to graphic works.
AUTHORS’ CORNER
Meet the Who’s Who of Alfred Hitchcock’s Mystery Magazine authors! View The Lineup of contributors in the current issue, see what motivates our writers, and much more.
The New Year is a time for reflection, a time to look back at our past and forward to our future. In this issue we have fourteen stories that do exactly that with a good share of historicals from all over that entertain as well as make us think. We also have topical stories that capture the passions of the day. What these stories show together is that crime is forever.
THE CRIME SCENE
“Skeletons in the Closet”… Get the latest news, check out Editor Linda Landrigan’s blog, enjoy lively podcasts, test your mystery puzzling mettle, see if you have what it takes to be a mystery writer. It’s all here.
by John H. Dirckx
A shaft of spring sunshine found its way, as sunshine will, through grimy windows aloft, and dust and clutter below, to illuminate a stunningly beautiful antique mahogany reception desk in the lobby of a deserted hotel, at which two men were engaged in earnest conversation.
Brian Westcott tapped a laptop screen with the tip of his pencil. “Eric, this stuff is never going to make it all the way here from Hungary by surface mail in six weeks.”
As Westcott rotated his body slightly for the next take, a young woman dashed forward and gently pulled a wrinkle out of his shirtsleeve. “The hair’s coming down again,” she told him, “but I can’t do anything with it between takes. Maybe as soon as we start shooting again you could swish it back . . .” READ MORE
by Eric Rutter
The sound of the front door opening interrupted Charles’s and Martin’s idle conversation. As they sat listening to the visitor cross the outer office, Charles glanced at Martin. On days when they were feeling lighthearted they would try to predict whether the caller was a client of Charles’s, or Martin’s wife come from across the street to tell him a patient had turned up. But Martin didn’t notice Charles’s glance, he just gazed peacefully at the far wall, fingering the cup of apple cider he held balanced on one thigh. Charles thought the footsteps didn’t sound like Betty’s, so the visitor must be looking for him—in need of a lawyer, not a doctor.
He was only half right—the visitor was looking for him but not because he was a lawyer. The figure who stepped into the doorway of his private office was his sixteen-year-old son, Joshua. READ MORE












